朝向交流的艺术生产——对马克思美学特质的一种解读  

An Artistic Production towards Communication:An Interpretation of Marx's Aesthetic Characteristics

作　　者：张冰[1] Zhang Bing

机构地区：[1]西南大学文学院,重庆400715

出　　处：《中国文学批评》2023年第2期13-20,189,共9页Chinese Journal of Literary Criticism

基　　金：2019年度国家社会科学基金西部项目“分析美学关键词与当代中国美学话语建设研究”(19ZX017)阶段性成果。

摘　　要：学界目前认为马克思的“艺术生产”具有两种含义,其一是指一般性的艺术活动,其二是特指资本主义生产阶段或被商品化了的艺术活动,这并不全面。从马克思的生产理论出发,可以发现一种新的艺术生产的意义指向,即作为单一生产活动的艺术活动的生产环节。生产朝向交换,同理,艺术生产朝向艺术交流。马克思认为,精神上的交流具有双重性,既是手段,又是目的,因而作为交流子类的艺术交流同样具有双重性,这带来了艺术活动的手段与目的共在的双重性。对艺术生产交流意向性的关注,有助于对马克思美学特质的把握,即马克思的美学思想既是介入的,又具有自足性。A new meaning can be found in Marx's theory of production,namely the productive aspect of artistic activity.In the same way that production is directed towards communication,artistic production is directed towards artistic communication.Marx argued that spiritual communication has a dual nature,both as a means and as an end,and therefore artistic communication as a subcategory of communication also has a dual nature,which brings about dual means and ends in artistic activity.The focus on the intentionality of artistic production and exchange helps to grasp Marx's aesthetic characteristics,namely that Marx's aesthetic thought is both interventionist and self-contained.

关 键 词：生产 交换 艺术生产 艺术交流 

分 类 号：J01[艺术—艺术理论]