5—6世纪中亚与中国佛教艺术之关系研究——以卡拉贴佩佛寺壁画为例  

Study on the Relationship of Buddhist Art Between Central Asia and China:Case study of the murals in the Kara-tepe Temple in Uzbekistan in 5-6 centuries

作　　者：祁晓庆[1] Qi Xiaoqing

机构地区：[1]敦煌研究院人文研究部,甘肃敦煌736200

出　　处：《南京艺术学院学报（美术与设计）》2023年第3期120-126,I0003,共8页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社科基金西部项目《敦煌石窟中的外来元素与中西文化交融研究》(21XZS011)阶段性研究成果。

摘　　要：乌兹别克斯坦的铁尔梅兹地区发现了公元1—2世纪贵霜佛寺遗址,研究表明这里是一个重要的佛教中心。本文选取卡拉贴佩佛寺壁画中有代表性的两幅作为研究对象,通过与犍陀罗艺术和中国新疆、敦煌等地石窟艺术的比较,认为5—6世纪期间,犍陀罗、中亚和中国佛教之间存在密切联系。A Buddhist monastery had been found in the Termez area of Uzbekistan in 19 century.The research work suggested that it was an important Buddhist center in the rule of Kushan Dynasty.The two of them,Kara-tepe and Fayaz-tepe,are the biggest monasteries.Two pieces of paintings in Kara-tepe were selected as an example to analyze the Buddhism art’s relationship between Gandhara,Central Asia and Chinese,which is specific in Xinjiang and Dunhuang Grottoes.

关 键 词：中亚佛教艺术 乌兹别克斯坦 卡拉贴佩 壁画 

分 类 号：J19[艺术—艺术理论]