文体“返回”与精神“前驱”——对韩少功乡土小说创作的一种阐释  

Stylistic"Return"and Spiritual"Precursor"——An interpretation of Han Shaogong's Local Novels

作　　者：张勇[1] 刘一枝 ZHANG Yong;LIU Yi-zhi(School of Chinese Language and Literature,Hunan Institute of Science and Technology,Yueyang,Hunan 414000,China)

机构地区：[1]湖南理工学院中国语言文学学院,湖南岳阳414000

出　　处：《深圳职业技术学院学报》2023年第3期73-79,共7页Journal of Shenzhen Polytechnic

基　　金：湖南省社科(2021年度)基地项目“韩少功新世纪乡土文学的价值建构研究”(21JD034);湖南省教育厅(2019年度)高等院校平台项目“‘文体寻根’与韩少功乡土小说创作之关系研究”(19K039)。

摘　　要：韩少功前期的现实主义乡土小说创作体现了一种本质主义的思维方式,是对现代性价值体系的认同和表现。但其后的创作发生了很大变化,韩少功的乡土小说创作从前期的传统现实主义文体形式转向中国古典小说的散文化文体形式,其内在的动因在于他试图努力把握身边的历史,尤其体现了他对现代性价值的质疑和反思。作为一个有着强烈的现实介入意识和现代理性精神的作家,韩少功以重返乡村的文化实践为反思现代性,探索现代化的健康发展路径寻找坚实的精神资源。Han Shaogong's early creation of realistic local novels reflects an essentialist way of thinking,which is the recognition and expression of the value system of modernity.However,great changes have taken place in his subsequent works.His local novels have shifted from the traditional realistic literary style to the prose literary style of Chinese classical novels.The intrinsic motivation for such shift lies in his efforts to grasp the history around him,reflecting his questioning and reflection on the value system of modernity.As a writer with a strong sense of realistic intervention and modern rationalism spirit,Han Shaogong takes the cultural practice of returning to the countryside as a way to reflect on modernity and explore the healthy development path of modernization for the search of solid spiritual resources.

关 键 词：文体 乡村文化 现代理性 精神资源 

分 类 号：I206.7[文学—中国文学]