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作 者:宦燃 宫文华[1] HUAN Ran;GONG Wen-hua(School of Literature,Shanxi Datong University,Datong Shanxi,037009)
出 处:《山西大同大学学报(社会科学版)》2023年第3期75-79,共5页Journal of Shanxi Datong University(Social Science Edition)
摘 要:元好问的《论诗三十首》以“自然”为审美旨归,具有多重蕴含,既是对艺术创造之本源问题的思索,也是对慷慨豪壮之审美风格的追求,还对如何创作进行了阐释。诗歌从天地自然中取材,成于诗人对社会生活和自然风景的真实体验及二者间的对话;应当以顺应人类天性,抒发真实而有生命力的情感;在创作过程中应以圆融自然为追求,学古人而添入时代精神,形诸笔墨时极力锤炼而不露人工痕迹,做到明白晓畅。不仅为挽救当时文风之弊指出了一条充盈着自然清新之气的可行之路,也为现代文学艺术创作的多样化发展带来了启示。Yuan Haowen's Thirty Poems on Poetry takes“nature”as its aesthetic purpose and has multiple connotations,which are not only reflections on the origin of artistic creation,but also the pursuit of generous and magnificent aesthetic style,and the interpretation of how to create and act.Poetry is taken from the nature of heaven and earth,and is formed by the poet to the earth and the earth,with the truth of the way,with the way,with things,and with it.It is not only to save the shortcomings of the literary style at that time,but also to point out the feasibility of a full,natural and fresh atmosphere,that is,the multiplicity of modern literary and artistic creation.and refined words as the aesthetic purport not only pointed out a feasible way full of natural and fresh gas to save the defects of literary style at that time,but also brought enlightenment to the diversified development of modern literary and artistic creation:First of all,in the preparation stage of the creation of materials,the author should invest in real social life and natural scenery,pay attention to the real experience,with generosity,with things,with natural scenery;Second,make good use of artistic imagination and have the courage to pursue innovation in the layout of the paper.All forms of ink when syllable fit,clear and smooth language;In the end,it is up to the reader to decide the final completion of the work,and the best way to get to know the author is through the work rather than the author's own moral cultivation.
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