论犍陀罗与龟兹佛教艺术的佛学共性与特色——以说一切有部菩萨观为主题  

A discussion of the commonalities and distinctiveness of the Buddhist philosophy in the Gandhāra and Qiuzi Buddhist art:a thematic focus on the Sarvāstivādin Bodhisattva

作　　者：霍旭初 Huo Xuchu

机构地区：[1]新疆克孜尔石窟研究所

出　　处：《西域研究》2023年第2期139-153,172,共16页The Western Regions Studies

摘　　要：犍陀罗与龟兹佛教艺术研究,向佛教思想本质、属性、体系、演化和两者的地缘与人文关系等文化背景方面拓展,是深化研究的必然取向。本文根据佛教艺术“表法”原则,以说一切有部的菩萨观为主题,对犍陀罗与龟兹佛教艺术中所展现的佛教思想共性与特色,作初步探索。For the research of Gandhāra and Qiuzi Buddhist art,expanding our research territories to include the investigation of the nature,characteristics,systems,and development of the Buddhist thoughts as well as the geo-cultural relation of the two styles is an inevitable direction for advancing the scholarship.Based on the Biaofa(表法)principle of the Buddhist art and by thematically focusing on the Bodhisattva representation of the Sarvāstivādin school,this article provides some preliminary explorations of the commonalities and distinctiveness of the Buddhist thoughts expressed in the Gandhara and Qiuzi Buddhist art.

关 键 词：犍陀罗 龟兹 佛教艺术 说一切有部 菩萨观 

分 类 号：K879.25[历史地理—考古学及博物馆学]