钟嵘《诗品》“品第”批评法的礼学蕴涵  

The Ritual Implication of Zhong Rong’s Criticism Method in His Poetry Review

作　　者：程景牧 CHENG Jing-mu

机构地区：[1]宁波大学人文与传媒学院,浙江宁波315211

出　　处：《五邑大学学报（社会科学版）》2023年第3期33-37,93,共6页Journal of Wuyi University(Social Sciences Edition)

基　　金：教育部人文社会科学研究青年基金项目“南朝礼学与文论研究”(批准号:22YJC751009)的部分成果。

摘　　要：南朝礼学的等级观念是钟嵘《诗品》“品第”批评法形成的一个重要因素。钟嵘师从礼学大师王俭的学历背景及其兼通礼学与诗学的文化素养,决定了他在对汉魏六朝的诗人们进行品第高下时自觉或不自觉地运用了礼学的等差理念与序次思维,从而形成了独具特色的理论形态。在《诗品》这部“思深而意远”的诗学批评著作中,礼学与诗学理论在审美价值理念、思想方法等层面彰显出高度的一致性,反映了南朝文学批评论有着深厚的礼学渊源与礼义内蕴。The hierarchical concept contained in the rituals and etiquette of the the Southern Dynasties was an important factor in the formation of Zhong Rong’s“Pindi”criticism method in his Poetry Review.The educational background of Zhong Rong,who studied under Wang Jian the master of Ritual Study,and his cultural and literary accomplishments,determined that he consciously or unconsciously applied the idea of hierarchy when appraising the poets of the Han,Wei,and Six Dynasties,thus forming a unique theoretical form.In his poetic criticism work Poetry Review,which was characterized by deep thinking and profound meaning,there is a high degree of consistency between his theory of rituals and his poetics in terms of aesthetic values,ideological methods,and other aspects.This clearly reflects the deep connections to and profound significance of the rituals in the literary criticism of the Southern Dynasties.

关 键 词：《诗品》 批评法 品第 礼学 

分 类 号：I206.2[文学—中国文学]