“计算批评”透视下的情感世界:通向残雪的另一种方式  

Sentimental World Under the Perspective of “Computational Criticism”:Another Way of Reading Can Xue

作　　者：王悦[1] 齐欣[2] WANG Yue;QI Xin

机构地区：[1]天津师范大学外国语学院,天津300387 [2]天津师范大学外国语学院、跨文化与世界文学研究院

出　　处：《天津师范大学学报（社会科学版）》2023年第2期101-107,共7页Journal of Tianjin Normal University(Social Science)

摘　　要：计算批评作为“数字人文”研究的重要分支,为文学研究提供了强大处理工具和崭新研究范式,在大数据技术的加持下将文学计量“描写性”研究推向新的高度。在“计算批评”模式下,利用情感极性分析这一研究模型,可在“长时段”远距离研究视角下获得对残雪实验小说创作的全局性、系统性理解。残雪小说创作经历了四个阶段的情感主题变化,整体上呈现出由外及内、由痛苦恐惧转向惊奇欣喜的情感趋势,在内核上逐渐摆脱了西方现代主义的束缚,体现了残雪在创作中的精神突围和对自身独特精神王国的探索。As an important field of “Digital Humanities”,“Computational Criticism” has further pushed literature studies forward to a quantitative “descriptive”paradigm with the support of big data and other computing technologies. In this study,a diachronic sentiment polarity analysis was made in order to acquire some concrete and stable meaning of Can Xue’s works and understand her experimental novel systematically in a longer period and at a far distance. According to the statistics,there are majorly four stages in Can Xue’s writing experience in terms of sentiment topics,shifting from outside to inside,from pain and terror to amazement and gladness. It is clear that Can Xue has gradually shaken off the shackles of Western modernism at the core,and realized some spiritual breakthroughs in her writing in the efforts of pursuing her unique kingdom of spirits.

关 键 词：计算批评 数字人文 语料库 情感极性分析 残雪小说 

分 类 号：I206.7[文学—中国文学]