直而密——论柳永词赋笔的独特性  

Being Straight and Dense—Uniqueness of Liu Yong's Ci in a Fu Style

作　　者：张杏 ZHANG Xing(College of Literature,Heilongjiang University,Harbin 150080,China)

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150080

出　　处：《湖南工程学院学报（社会科学版）》2023年第2期78-83,共6页Journal of Hunan Institute of Engineering(Social Science Edition)

摘　　要：“柳氏家法”即赋笔为词已成为学界公认的柳永慢词创作手法,现今对此问题的研究焦点集中于柳词的平铺直叙、白描或结构层次的变化,并普遍以浅直、直露概括之。但立足柳词文本可发现其赋笔绝非“直”可概括,而是将“直”和“密”两种看似相反的手法进行了充分糅合,呈现出“直而密”的独特性,体现为章法结构繁密多变却又直顺明晰,情感表达虽多直抒胸臆却又细密动人,由此达到了新的审美层次,产生了独特的审美效果,深刻影响了后世慢词创作。"Style of Liu",that is,Ci in a Fu style,has become a recognized writing technique of Liu Yong's Long Ci in the academic circle.Nowadays,the research on this issue is focused on the straightforward narration,line drawing or changes in the text structure of Liu's Ci,which are generally summarized in a simple and straightforward way.However,based on Liu Ci's text,we can find that his Ci in a Fu style can not be summarized simply by"being straight".Instead,two seemingly opposite techniques,"being straight"and"being dense",have been fully combined,showing the uniqueness of"being straight and dense",which is reflected in a dense and changeable but straight and clear text structure,as well as a direct but detailed emotional expression.Thus,this has reached a new aesthetic level,produced a unique aesthetic effect,and profoundly affected the creation of Long Ci in later generations.

关 键 词：柳永词 赋笔 独特性 直而密 

分 类 号：I207.23[文学—中国文学]