窥斑识豹:梅清在20世纪的影响变迁  

Knowing the Whole from a Part:the Change of Mei Qing's Influence in the 20th Century

作　　者：吕少卿[1] 李苏横 Lv Shaoqing;Li Suheng(the Nanjing University of the Arts;the School of Art and Design,the Changzhou University)

机构地区：[1]南京艺术学院 [2]常州大学美术与设计学院

出　　处：《美术》2023年第6期86-93,共8页Art Magazine

基　　金：国家社科基金艺术学重大项目“中国传统美术的当代复兴研究”(项目编号:21ZD23)的阶段性研究成果。

摘　　要：明末清初的文人画家梅清,在20世纪的影响时隐时显。本文在梳理了其影响在各阶段的表现外,联系时评与时代背景,认为梅清在20世纪的影响与文人画内部趣味之迭换、抗战时期和中华人民共和国成立初期的审美需要相左,以及新时期当代画家对传统趣味的回归探索有关。并从这些左右梅清影响力发展的背后因素出发,指出画史人物的工具性特征以及梅清个案与文人画,在20世纪的传播存在点与面的关联。Mei Qing, a literatus in the late Ming and early Qing Dynasties who made great achievements in painting, had different influence in different periods of the 20th Century. Besides teasing out his influence in various periods, this paper believes that given reviews and historical background back then, the influence of Mei Qing in the 20th Century was contrary to changes in literati's tastes of paintings and aesthetic needs during the War against Japanese Aggression and in the early period after the founding of the People's Republic of China. Rather, it is related to efforts of contemporary painters who tried to bring traditional tastes back. Based on these factors, the paper points out the nature of painters in history as a tool and the connection between the part and the whole regarding Mei Qing's paintings and literati's paintings in the 20th Century.

关 键 词：梅清 文人画 美术传播 传统复兴 

分 类 号：J212[艺术—美术]