图像再现中的想象及视觉经验——沃尔顿“视觉经验”模式初探  

Imagination and Visual Experience in Picture Representation:On Walton's Model of“Visual Experience”

作　　者：殷曼楟[1,2] Yin Manting

机构地区：[1]南京大学哲学系,南京210046 [2]南京大学艺术学院,南京210046

出　　处：《复印报刊资料（美学）》2019年第6期93-100,共8页Aesthetics

基　　金：国家社科基金一般项目“分析美学视域下的图像再现转向视觉再现研究”(15BZX126)的阶段性成果。

摘　　要：作为美学的经典命题之一,想象与视觉感知的关系对于我们当下的视觉经验研究仍具启发意义。从心理学上来说,想象与视觉感知的关系提供了探讨以贡布里希为代表的间接知觉论的另一视角,并与视知觉论者所倡导的直接知觉论的视觉经验模式形成了鲜明的对比。沃尔顿作为当代探讨想象与再现艺术的代表人物,他对想象与图像再现、图像描绘及视觉经验的讨论发展了间接知觉论,构成了当下“视觉经验”讨论的另一阐释模式,这也成为视觉性研究中特定观看方式何以建构之问题的一个解释范式。As one of the big questions of aesthetics,the relationship between imagination and visual perception is always inspiring our study on visual experience.Psychologically,the relationship between imagination and visual perception provides us another approach to study on the"indirect perception"mode of visual experience which was developed by Gombrich,in sharp contrast to the mode of"direct perception"advocated by the visual perception theorists.Walton,as outstanding figure studying on imagination and representational art,propelled the theory of indirect perception.His view on the imagination and picture representation,depiction and visual experience afforded another way of interpreting visual experience.It's also an interpretation paradigm for how to construct a particular way of seeing.

关 键 词：想象 视觉经验 图像再现 视知觉 

分 类 号：G63[文化科学—教育学]