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作 者:何卫国[1] 段启明[2] HE Weiguo;DUAN Qiming(Research Institute of A Dream of Red Mansions,Chinese National Academy of Arts;不详)
机构地区:[1]中国艺术研究院红楼梦研究所 [2]首都师范大学文学院
出 处:《河南教育学院学报(哲学社会科学版)》2023年第2期1-13,共13页Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
基 金:中国艺术研究院科研项目“红学口述史”。
摘 要:《红楼梦艺术论》涉及《红楼梦》的结构、情节、人物、语言等,强调从文本出发,避免空谈、泛论;《红楼梦》研究应关注中国传统美学、戏曲、诗学、画论、书论、乐论等,治红学需“博”“专”兼备;《中国古代文学史长编》中关于《红楼梦》的书写,是《红楼梦》研究与教学的成果;吴宓先生是最早真正视《红楼梦》为伟大的文学作品的学者之一,是把红学研究与人生思考、感悟紧密结合起来的红学家;周汝昌先生的才气、学识、素养、文思、品位等令人钦佩。On the Art of A Dream of Red Mansions by DUAN Qiming discusses the structure,plot,characters,language,etc.of the very novel,and the discussion is based on the text itself so as to avoid hollowness and generalization.The study of A Dream of Red Mansions should place emphasis on traditional Chinese aesthetics,drama,poetics,painting theory,calligraphy theory,music theory,etc.,which requires both a wide variety of knowledge and some kinds of expertise.The part about A Dream of Red Mansions in The History of Ancient Chinese Literature is the brain-child of the research and teaching of the novel.WU Mi is one of early Redologists who truly regards A Dream of Red Mansions as a great literary work and combines the study of A Dream of Red Mansions with their reflections and perceptions of life.ZHOU Ruchang still remains admirable for his talent,erudition,literary thinking and taste.
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