大同沙岭北魏壁画墓有翼神兽性质考释  

Research and Interpretation of the Nature of Winged Mythical Beasts in Northern Wei Dynasty Mural Tombs in Shaling,Datong

作　　者：王楚昀 常晓君[2] Wang Chuyun;Chang Xiaojun(Taiyuan Normal University;the Fine Arts and Film College,Taiyuan Normal University)

机构地区：[1]太原师范学院 [2]太原师范学院美术与影视学院

出　　处：《美术》2023年第7期115-121,共7页Art Magazine

摘　　要：自2005年大同沙岭M7墓发掘以来,其中的壁画吸引了众多学者的目光。该墓葬壁画保存相对较好,是考察北魏初期社会生活及精神文化氛围的重要史料。墓室北壁上栏中间出现两幅带有羽翼的神兽形象,右侧一幅残损,左侧一幅保存相对较好,目前尚未有研究明确其形象。关于其形象定性的探究与北魏时期社会政治制度、文化环境有着密切联系,其中涉及多种文化在沙岭M7墓中的显像与隐性表达,对该有翼神兽为何的定性,有助于进一步明确北魏时期各地区、各民族文化之间的交流融合情况,并为考证琐罗亚斯德教在我国传播的年限界定提供新的美术考古证据。Since the excavation of Tomb M7 in Shaling,Datong in 2005,murals in it have attracted the attention of many scholars.Being well preserved,the murals are important historical materials for researching social life and cultural atmosphere in the early Northern Wei Dynasty.There are two images of mythical beasts with wings in the middle of the upper column on the north part of the tomb,with the one on the right damaged and the one on the left remaining intact.No research has yet identified the two images,which are closely related to social and political systems and cultural environment back then and involve the visible and invisible demonstration of various cultures in the Tomb M7 in Shaling.To know what these beasts are will help understand the cultural exchanges and integration of various ethnic groups in various regions during the Northern Wei Dynasty and provide new evidence for determining when Zoroastrianism spread in China.

关 键 词：沙岭M7墓 有翼神兽 丝绸之路 跨文化交流 

分 类 号：K879.41[历史地理—考古学及博物馆学] K239.21[历史地理—历史学]