中国戏剧格局中的艰难发展和独特创造——中国台湾、香港、澳门地区当代话剧创作综论  

The Tenacious Struggle of Development and Unique Creation of the Pattern of Chinese Drama——The Overview of Contemporary Drama Creation in Chinese Taiwan,Hong Kong and Macao

作　　者：胡星亮[1] Hu Xingliang

机构地区：[1]南京大学戏剧影视研究所

出　　处：《戏剧（中央戏剧学院学报）》2023年第3期97-115,共19页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金艺术学重大项目“中国话剧演剧学派研究”(项目编号:20ZD21)的阶段性成果。

摘　　要：当代时期的中国台湾、香港、澳门地区话剧,是中国话剧在台湾地区、香港地区、澳门地区发展的不同支流。本文将当代中国台湾、香港、澳门地区话剧作为一个整体进行研究,分析了当代中国台湾、香港、澳门地区话剧表现社会现代化进程的艰难发展,论述了当代中国台湾、香港、澳门地区话剧创作从工具戏剧到人学戏剧的现代意识,从内在精神到外在风貌的民族认同,及其基于内涵表达而不断探索的审美创造。当代中国台湾、香港、澳门地区话剧以其独特的内涵、艺术和文化而显示其边缘活力,补充和丰富了中国当代话剧的完整版图,但也存在需要警戒的问题。Contemporary Chinese Taiwan,Hong Kong and Macao dramas are different tributaries of Chinese drama.This article studies them as a whole and analyzes the difficulties in the process of social modernization reflected in these dramas.It also discusses their modern consciousness shift from instrumental drama to humanistic drama,their national identity shift from inner spirit to outer style,and their continuous exploration of aesthetic creation based on connotation expression.Contemporary dramas in Chinese Taiwan,Hong Kong and Macao have shown their marginal vitality with unique connotations,art and culture,supplementing and enriching the overall territory of Chinese contemporary dramas,but there are also problems requiring vigilance.

关 键 词：台港澳地区当代话剧 现代意识 民族认同 审美创造 边缘活力 

分 类 号：J82[艺术—戏剧戏曲]