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作 者:任树民[1] REN Shumin(School of Liberal Arts,Beihua University,Jilin 132013,China)
出 处:《烟台大学学报(哲学社会科学版)》2023年第3期47-54,共8页Journal of Yantai University(Philosophy and Social Science Edition)
基 金:教育部人文社会科学研究青年基金项目“中国文学体物传统研究”(18YJC751038)。
摘 要:《水浒传》在处理“快活林”的“林”之设定时,摇摆在“物材所聚”和“林子”之间。“快活林”的“林”之设定乃是熟读经史的文士对《诗经·陈风》“夏氏邑”“株林”邑都外疆界坐标的一种迁移。纠葛在市镇和林子之间的“快活林”是饱读诗书的文人世界与“书会才人”所代表的民间世界各取所需的一场美妙邂逅。时下的接受者将“快活林”纠葛在市镇与林子之间,不能放弃“林子”背景,是昧于《诗经》《尔雅》以来的“林”“野”文化背景所致。由“株林”和“酒池肉林”转换生成的“快活林”由于寄寓了市民阶层的生活信念和品质追求,使得“快活林”在演绎完了水浒故事之后,又进一步在《水浒传》以外的文学世界乃至现实世界中频频现身。When dealing with the setting of“Lin”(林)in“Happy-Lin”(快活林),Outlaws of the Marsh blurred between“material gatherings”and“forests”.The setting of“Lin”in“Happy-Lin”is a kind of migration of the outer boundary coordinates of“Xiashi City”and“Zhulin”in Chenfeng by scholars who are familiar with the history of classics.“Happy-Lin”is tangled between the town and the forest,which is a wonderful encounter between the poetical world and the folk world represented by“the talent storyteller”.Nowadays,the embracers of“Happy-Lin”interlock between the town and the forest and can not give up the background of forests,which is caused by the cultural background of“forests”and“fields”(野)from the Book of Songs and Erya.The“Happy-Lin”generated from the transformation of“Zhulin”(株林),and“extravagant orgy”(酒池肉林),and it embodied the life belief and quality pursuit of citizens.In this case,after deducing the story of Outlaws of the Marsh,it further appeared frequently in the literary world and even the real world out of Outlaws of the Marsh.
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