《进入黑夜的漫长旅程》中的历史叙事  

On Historical Narrative in Long Day’s Journey into Night

作　　者：蒋贤萍[1] JIANG Xianping(School of Foreign Languages and Literature,Northwest Normal University,Lanzhou Gansu 730070,China)

机构地区：[1]西北师范大学外国语学院,甘肃兰州730070

出　　处：《乐山师范学院学报》2023年第7期41-46,62,共7页Journal of Leshan Normal University

基　　金：国家社科基金艺术学重大项目“当代欧美戏剧理论前沿问题研究”(18ZD06)。

摘　　要：尤金·奥尼尔在《进入黑夜的漫长旅程》一剧中,通过描写爱尔兰裔美国人泰隆一家人的生活,反映了爱尔兰族裔在美国创伤性的体验,再现了爱尔兰族裔遭受压迫与奴役的历史,很好地揭示了历史的文本性与文本的历史性。剧中人物呈现的历史不仅包括文本性的历史,而且包括叙述性的历史和表演性的历史。这些复数的“小历史”作为宏大历史叙事的对立面而存在,使处于边缘的失声群体突显出来,旨在揭露美国主流意识形态的虚伪性,进而揭示历史话语背后隐藏的权力机制。In Long Day’s Journey into Night,by describing the life of the Irish American Tyrones,Eugene O’Neill reveals the traumatic experience of the Irish community in the United States,representing the history of oppression on the Irish community and enslavement of them.This play well explains the textuality of history and historicity of text.The histories presented by the characters in the play include not only textual history,but also narrative history and performative history.These plural“small histories”exist as the opposite of the grand historical narrative and make the marginalized voice stand out,aiming to expose the hypocrisy of the mainstream ideology of the United States and even the power mechanism behind the historical discourse.

关 键 词：尤金·奥尼尔 《进入黑夜的漫长旅程》 历史 文本 表演性 

分 类 号：I712.073[文学—其他各国文学]