白玉蟾诗歌中“鹤”的文化与审美意蕴  

Culture and Aesthetic Implications of“Crane”in Bai Yuchan's Poems

作　　者：王鑫 WANG Xin(Department of Philosophy,Sun Yat-sen University,Guangzhou 510200,China)

机构地区：[1]中山大学哲学系,广州510200

出　　处：《海南热带海洋学院学报》2023年第4期96-101,共6页Journal of Hainan Tropical Ocean University

摘　　要：“鹤”作为中国古典诗词中常见的物象被赋予了诸多的审美意象。南宋道教金丹派南宗第五祖白玉蟾一生创作诗词颇丰,在其创作的1200多首诗歌包含鹤意象的近百首,其鹤意象包含有道士归隐、离愁别绪、延年益寿、仙家灵鸟等美学内蕴。“Crane”,as a common object in Chinese classical poetry,has been endowed with many aesthetic images.Bai Yuchan,the fifth ancestor of the Southern Sect of the Southern Song Taoism Jindan School,created a wealth of poems throughout his life,involving nearly a hundred poems containing the image of cranes among his over 1200 poems.The im-age of cranes includes the aesthetic connotations of Taoist seclusion,sorrow of separation,prolonging life,and immortal birds.

关 键 词：古典诗词 意象 白玉蟾 鹤 文化内涵 美学意蕴 

分 类 号：B83[哲学宗教—美学] I207.22[文学—中国文学]