爱欲与压抑激烈冲突形成的幻觉形式--妙玉“走火入魔”幻觉梦的潜意识分析  

The Hallucinatory Form Formed by the Intense Conflict between Desire and Oppression:The Subconscious Analysis of Miaoyu’s Illusory Dream of“Going Mad”

作　　者：张丽红[1] 白金悦 ZHANG Lihong;BAI Jinyue(Northeast Culture Research Center,Jilin Normal University,Siping,Jilin 136000,China)

机构地区：[1]吉林师范大学东北文化研究中心,吉林四平136000

出　　处：《吉林师范大学学报（人文社会科学版）》2023年第4期73-78,共6页Journal Of Jilin Normal University:Humanities & Social Science Edition

摘　　要：妙玉的“走火入魔”是一种相当于梦的幻觉,对于这个幻觉梦,一种很有代表性的观点是弗洛伊德精神分析式的解释,认为这是妙玉性欲望被压抑导致的幻象。这种观点忽略了妙玉幻觉梦的前因后果,忽略了妙玉幻觉梦的形式意义,也忽略了妙玉幻觉梦与其他女性梦对女性悲剧命运表现的总体性作用。妙玉做这个梦之前去蓼风轩下棋与宝玉相遇的对话和要求宝玉送她回庵,实际是妙玉爱欲的表达,但这种表达却没能被宝玉领会;而妙玉尼姑的身份又使她的爱欲不能更直接地表达出来。这种爱欲和戒律压抑的激烈矛盾冲突导致妙玉不能坐禅入定,从而“走火入魔”进入幻觉,梦中的幻觉意象正是妙玉悲剧命运的象征。Miaoyu’s“going mad”is an illusion equivalent to a dream.For this illusion,a representa‐tive view is Freud’s psychoanalytic interpretation,which believes that it is the illusion caused by Miaoyu’s repressed sexual desire.This viewpoint overlooks the causes and consequences of Miaoyu’s hallucinatory dreams,the formal significance of Miaoyu’s hallucinatory dreams,and the overall role of Miaoyu’s halluci‐natory dreams and other female dreams in the expression of women's tragic fate.Before Miaoyu had this dream,the conversation between playing chess at Liaofengxuan and meeting Baoyu and requesting Baoyu to send her back to the temple was actually an expression of Miaoyu’s desire,but this expression was not un‐derstood by Baoyu.And the identity of Aunt Miaoyu prevents her desire to express her love more directly.This intense conflict between love and discipline led to Miaoyu’s inability to meditate in meditation,which led to the illusion of“going mad”.The illusion image in the dream is the symbol of Miaoyu’s tragic fate.

关 键 词：妙玉 幻觉梦 爱欲 尼姑身份 潜意识象征 

分 类 号：I206.2[文学—中国文学]