不同历史时期土家族摆手舞的具身隐喻研究  

On Hand Swaying Dance of Tujia People's Embodied Metaphors in Different Historical Periods

作　　者：张新[1] Zhang X in(School of Physical Education,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学体育学院,重庆400715

出　　处：《武术研究》2023年第8期84-88,共5页Wushu Studies

基　　金：重庆市社会科学规划项目,编号:2017BS14;中央高校基本科研业务费专项资金资助,编号:SWU1709660。

摘　　要：具身隐喻是个体的概念隐喻系统中,与身体经验有关的具体概念与抽象概念形成隐喻联结的认知过程。文章通过对土家族摆手舞3个历史时期的巴人巫舞、汉唐宋时期的巴渝舞以及元明清时期的摆手舞具身隐喻分析,提出了民族传统体育的具身隐喻生成逻辑,即以原生态的身体经验为基础,在历史、民族和政治等文化要素影响下形成特有的抽象概念。文章运用传统体育文化中的身体经验为“提炼展示中华文明的精神标识和文化精髓”提供了有益的思路。Embodied metaphors are constructed through the cognitive process in which specific and abstract concepts related to body experiences of individuals,forming a metaphorical connection in the conceptual metaphoric system.Through the analysis of the specific embodied metaphors constructed during the three historical periods of the Tujia Hand-waving Dance,including the Witchcraft Dance of Ba,the Bayu Dance in Tang and Song Dynasty,the Hand-waving Dance in Yuan Ming and Qing Dynasty,this paper presents the generating logic of the Chinese national traditional sports from the perspective of embodied metaphors,indicating the process of unique abstract concepts developed under the influence of historical,national and political cultural elements and based on the original ecological physical experiences of people.This study provides a reference for using the physical experience in traditional sports culture to refine and display the spiritual signs and cultural essence of Chinese civilization.

关 键 词：具身隐喻 摆手舞 身体经验 隐喻映射 文化 

分 类 号：G85[文化科学—民族体育]