三岛由纪夫《金阁寺》的身体叙事与身份认同  

Body Narrative and Identity in Mishima Yukio’s The Temple of the Golden Pavilion

作　　者：兰立亮[1] 申璐璐 Lan Liliang;Shen Lulu(school of Foreign Languages,Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学外语学院

出　　处：《外国语文研究》2023年第3期58-65,共8页Foreign Language and Literature Research

基　　金：国家社科基金项目“日本现代小说个体叙事与伦理建构研究”(18BWW031)的阶段性成果。

摘　　要：三岛由纪夫的《金阁寺》描写了一个现代人自我丧失和自我追寻的故事。叙述者“我”在战前因天生身体缺陷而被疏离于现实和人生之外,以致于被金阁所代表的美的观念异化而迷失了自我。“我”在战后烧毁金阁的小说结局呈现了现代个体能动地通过行动来建构自我同一性的伦理诉求。《金阁寺》生动描绘了主人公在追寻自我的过程中的内心纠葛和生存之痛,体现了三岛在战后民主主义历史语境下对主体性的叩问和对现代个体的人文关怀。在此意义上,《金阁寺》的身体叙事具有浓厚的战后思想启蒙色彩,体现了三岛对战后个体现代性的执着追问。Mishima Yukio’s The Temple of the Golden Pavilion describes a story of modern people’s self-loss and self-pursuit.Before the war,the narrator“I”was alienated from reality and life because of his inherent physical defects,and lost identity because of the concept of beauty represented by the Golden Pavilion.The ending of the novel that“I”burned the Golden Pavilion after the war shows the ethical appeal of modern individuals to actively construct self-identity through action.The Golden Pavilion Temple vividly depicts the protagonist’s inner entanglement and the pain of survival in the process of seeking self,and reflects Mishima Yukio’s questioning of subjectivity and humanistic care for modern individuals in the post-war democratic historical context.In this sense,the body narrative of The Temple of the Golden Pavilion has a strong color of post-war ideological enlightenment,which reflects Mishima’s persistent pursuit of post-war modernity.

关 键 词：三岛由纪夫 《金阁寺》 身体叙事 身份认同 

分 类 号：I313.074[文学—其他各国文学]