论张祥龙美学观对现象学的接受  

On the Acceptance of Phenomenology in Zhang Xianglong’s Aesthetic View

作　　者：牟方磊[1] MU Fanglei(College of Liberal Arts,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《湖南工业大学学报（社会科学版）》2023年第4期58-65,共8页Journal of Hunan University of Technology(Social Science Edition)

基　　金：湖南省教育厅优秀青年项目“胡塞尔意识现象学视域内的审美意象理论研究”(20B389)。

摘　　要：为了实现现象学方法的美学开展、接续并发展中国现代意境美学传统,张祥龙在深入接受现象学思想的基础上建构起自己的美学观。其“美感论”中的“美感体验论”接受了胡塞尔的“直观”说和海德格尔的“体验”说,“美感居中论”接受了胡塞尔的“意向性构成”思想和海德格尔的“视域构成”思想;其“审美对象论”接受了胡塞尔和海德格尔的“现象”思想。张祥龙对现象学思想的接受具有准确深入、中西会通的特点,其接受意义有二:就目的言,他通过接受现象学思想既建构了具有中国特色的现象学美学理论,又接续并发展了中国现代意境美学传统;就方法言,他的接受与建构实践为如何融通中西美学资源进行理论创新作出了示范。In order to realize the aesthetic development of the phenomenology method,continue and develop the Chinese modern artistic conception aesthetic tradition,Zhang Xianglong constructed his own aesthetic view on the basis of deeply accepting the phenomenology thought.The“aesthetic experience theory”in his“aesthetic theory”accepts Husserl’s“intuition”theory and Heidegger’s“experience”theory,while the“aesthetic center theory”accepts Husserl’s“intentional composition”thought and Heidegger’s“horizon composition”thought;his“aesthetic object theory”accepts the“phenomenon”ideas of Husserl and Heidegger.Zhang Xianglong’s acceptance of phenomenology is characterized by accurate and in-depth understanding of Chinese and Western ideas.The significance of his acceptance is twofold:in terms of purpose,he not only constructed the aesthetic theory of phenomenology with Chinese characteristics through the acceptance of phenomenological thought,but also continued and developed the aesthetic tradition of Chinese modern artistic conception;In terms of methodology,his acceptance and construction practices have demonstrated how to integrate Chinese and Western aesthetic resources for theoretical innovation.

关 键 词：张祥龙 现象学 美感论 审美对象论 胡塞尔 海德格尔 

分 类 号：I01[文学—文学理论]