论《拉维尔斯坦》的艾滋叙事与当代芝加哥知识分子品格  

AIDS Narrative and Ethos of Contemporary Chicago Intellectual in Ravelstein

作　　者：胡碧媛[1] HU Bi-yuan(College of International Languages and Cultures,Hohai University,Nanjing 211100,China)

机构地区：[1]河海大学外国语学院,江苏南京211100

出　　处：《湖南科技大学学报（社会科学版）》2023年第4期58-63,共6页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：国家社会科学基金后期资助项目(22FWWB007);中央高校基本科研业务费社科成果培育项目(B220207014)。

摘　　要：索尔·贝娄最后一部小说《拉维尔斯坦》以艾滋叙事的方式回忆生前好友、知名政治哲学家艾伦·布鲁姆教授的学术人生,学术界对此的争议在于文学叙事的伦理选择。贝娄借用艾滋叙事的隐喻方式书写文学人物所再现的当代芝加哥知识分子品格,在后现代的“文化战”中反映对生命政治的人文理解,并且以亚里士多德式的品格呈现贝娄式虚构叙事的修辞术。Ravelstein,Saul Bellow's last novel,is written in AIDS narrative as a reminiscence of Allan Bloom,his lifetime friend and a professor of politics and philosopher.The controversy in academic field about this novel centers around an ethical choice in a truthful or fictionalized narrative.In fact,Bellow adopts the metaphor of AIDS narrative to represent a Chicago intellectual ethos through the embodiment of characters.In this way,he presents a humanistic understanding towards life politics against postmodern“cultural wars”,and a Bellowian rhetoric of fictionalized narrative with Aristotle's ethos appeal.

关 键 词：索尔·贝娄 《拉维尔斯坦》 艾滋叙事 芝加哥知识分子品格 “文化战” 

分 类 号：I106[文学—世界文学]