中国古代倚杖事象的诗意建构  

The Poetic Construction of the Allusive Imagery of“Yi Zhang”in Ancient China

作　　者：殷学明[1] YIN Xue-ming(School of Literature,Liaocheng University,Liaocheng,Shandong,252059)

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《深圳大学学报（人文社会科学版）》2023年第4期26-35,共10页Journal of Shenzhen University：Humanities & Social Sciences

基　　金：国家社会科学基金一般项目“中国诗学的缘事理论研究”(15BZW021);山东省本科高校教学改革研究重点项目“基于生成性教学理念的中文专业拔尖创新人才培养机制与模式研究”(Z2021308)。

摘　　要：倚杖事象在中国古代诗歌中频频出现,形成了一种独具中国特色的诗性文化和诗歌形态。从日常扶行之物发展为触及灵魂、关涉生死的诗性之物,“杖”大致经历了神性(神之物)、人性(器之物)和物性(物之物)三次文化变迁,开辟了一条与西方宗教终极关怀不同的诗性生存道路。中国古代倚杖事象闪烁着神性、人性和物性的光辉,中国古代诗人以此创作出一批伟大诗歌,营造了“象事布文”的语境、“神用象通”的物境和“亲切不泛”的事境3种典型诗境,创造了动作诗意即时间(事)空间(象)化审美典范。与静态的物象不同,倚杖事象是诗人暮年返身牧心、人物合一的诗意动作呈现,它不仅真实记录了古人濒死的生命体验,还深刻揭示了华夏民族精神运动、时代更迭和文化焦虑的历史真相,其诗意性书写具有一般历史事象不能替代的价值。在物化日益严重的今天,倚杖事象对反思人与物的诗性关系、建构“物是人非”的诗性世界、树立“向死而生”的诗意人生具有诗论和生存论的双重价值。The allusive imagery of“Yi Zhang”appears frequently in ancient Chinese poetry,forming a poetic culture and poetic form with Chinese characteristics.From the daily help to the poetic thing that touches the soul and concerns life and death,the“staff”has roughly experienced three subculture changes of divinity(the thing of God),humanity(the thing of utensils)and material(the thing of objects),opening up a poetic way of survival different from the ultimate concern of western religions.In ancient china,the allusive imagery of“Yi Zhang”act as an elephant flickered with the radiance of divinity,humanity and materiality.Through this,the poets of ancient China created a series of great poems,creating three typical poetic contexts:the context of“Arrange text based on allusive imagery”,the material realm of“communicate with the spirits through images”,and the object realm of“kind and not superficial”.They created an aesthetic paradigm of spatialization of time about action poetry.Different from the static object,the allusive imagery of“Yi Zhang”is the poetic expression of the poet's returning to the idyllic mind and the unity of the characters in his old age.It not only records the life experience of the ancients,but also reveals the historical truth of spirit movement,times change and cultural anxiety.Its poetic writing has a value that cannot be replaced by general history.In today's increasingly serious objectification,it has the double value of poetics and existentialism to reflect on the poetic relationship between people and things,to construct the poetic world of“material have but human lose the essence”and to set up the poetic life of“living to death”.

关 键 词：倚杖事象 诗意建构 物语形态 诗性生存 诗境 动作诗意 

分 类 号：I206.2[文学—中国文学]