情感文体学的理论建构——认知文学研究的新视角  

On the Theoretical Construction of Emotional Stylistics:A New Perspective of Cognitive Literary Studies

作　　者：黄荷 HUANG He(School of Foreign Languages and Literature,Beijing Normal University,Beijing 100875,China)

机构地区：[1]北京师范大学外国语言文学学院,北京100875

出　　处：《东北大学学报（社会科学版）》2023年第5期138-143,共6页Journal of Northeastern University(Social Science)

基　　金：国家社会科学基金青年资助项目(22CWW003);中央高校基本科研业务费专项资金资助项目(310422120)。

摘　　要：情感文体学近年来展现出强劲的发展势头。然而,文体学研究者尚未对情感文体学的基本概念作出清晰的界定,对其研究对象、理论框架及与相邻研究领域间的关系等一系列元问题亦未形成系统的认知与共识。实则,情感文体学衍生于认知文体学内部的自我修正,是认知文学研究中情感转向的主要表现,其理论基础来自于情感科学,分析对象主要包括人物情感与读者情感,是文体学、文学批评与认知科学间的重要桥梁。Emotional stylistics has demonstrated vigorous growth in recent years.However,its basic concepts have not been well defined.No systematic understanding and consensus have been reached concerning its research object,theoretical framework and relationship to the neighboring studies.In fact,emotional stylistics is derived from cognitive stylistics,representing the affective turn in cognitive literary studies.It draws extensively from theories in affective science to analyze characters'emotions and readers'emotions,functioning as a significant bridge to connect stylistics with literary criticism and cognitive science.

关 键 词：情感文体学 认知文学研究 认知文体学 认知诗学 

分 类 号：I0-05[文学—文学理论]