告别与新生:《孤独者》中的葬礼书写  

Farewell and Rebirth:Funeral Writing in The Lonely Man

作　　者：孙伟[1] 李思明 Sun Wei;Li Siming(College of Liberal Arts,Jinan University,Guangzhou,Guangdong,510632)

机构地区：[1]暨南大学文学院,广东省广州市510632

出　　处：《成都大学学报（社会科学版）》2023年第5期105-113,共9页Journal of Chengdu University (Social Sciences)

基　　金：广东省哲学社会科学“十三五”规划学科共建项目“日记维度中鲁迅文学作品的重读研究”(项目编号:GD17XZW11)。

摘　　要：在《孤独者》中,葬礼是规训个体的权力运作场和被物质主义侵占的庸俗仪式,同时也是“我”人生思想发生转变的媒介。魏连殳参加祖母葬礼,对传统积习选择妥协;“我”参加魏连殳的葬礼,以积极的行动实现了新生,破除了早期对“白心之民众”和个人无政府主义式先觉者的幻想,对五四式的启蒙路径进行反思,尝试召唤积极介入现实的行动者。普通民众借葬礼对异见者进行压迫,新人也可借助其省思既往主张的偏颇,从而为更具实践性的新思想的产生提供助益。In The Lonely Man,the funeral is not only a power operation field for disciplining individuals and a vulgar ritual occupied by materialism,but also a medium for the transformation of“I”in my life thoughts.Wei Lianshu participates in his grandmother’s funeral,choosing to compromise with the traditional habits;“I”participate in Wei Lianshu’s funeral,realizing a new life with positive actions.The early fantasies of the“pure minded people”and individual anarchist pioneers are broken,the path of the May Fourth enlightenment is reflected on,and the positive activists intervening in reality are considered.The funeral is an opportunity for the general public to oppress dissidents and for new talent to reflect on the biases of their previous claims,thus contributing to the emergence of new and more practical ideas.

关 键 词：《孤独者》 葬礼 启蒙 新生 

分 类 号：I210[文学—中国文学]