美国藏“双胞胎”金书《法华经》卷首画研究——兼论南宋佛画的跨文化传播与媒介转化  

Research on Frontispieces of the“Twins”Gold-ink Lotus Sutra Collected in the United States:also on the Cross-cultural Spread and Media Transformation of Buddhist Paintings during the Southern Song Dynasty

作　　者：张建宇[1] Zhang Jianyu(the School of Arts,Renmin University of China)

机构地区：[1]中国人民大学艺术学院

出　　处：《美术》2023年第9期98-106,共9页Art Magazine

基　　金：国家社科基金艺术学项目“五代宋辽西夏法华美术研究”(项目批准号:19BF089)阶段性研究成果。

摘　　要：美国克利夫兰艺术博物馆、纽约公共图书馆各藏一卷金书《法华经》写本,两卷形制、尺寸、材质、卷首画和书风高度相似,堪称一对“双胞胎”。针对其来源,出现过中国南宋、日本镰仓或南北朝和朝鲜半岛高丽3种主张。本文通过考察供养人题记、艺术品来源、经籍形制、插图类型和卷首画图像,判定这两卷都是日本镰仓写本,卷首画图像明显借鉴南宋两浙地区《法华经》雕版扉画,体现出宋元插图本佛经在东亚的跨文化传播及由此引发的媒介转化。The two gold-ink Lotus Sutra collected in the Cleveland Museum of Art and the New York Public Library respectively are similar in structure,size,material,frontispiece and calligraphy style,thus also known as“twins”.There are three opinions regarding their origins--the Southern Song Dynasty of China,the Kamakura Period or the Northern and Southern Courts Period of Japan and Goryeo Dynasty on the Korean Peninsula.This paper examines patrons’inscriptions,source of the artworks,structure of the scriptures,type of illustrations and frontispieces to determine that these twoLotus Sutrawere created during the Kamakura Period of Japan.Their frontispieces were created by learning from frontpage pictures of the printed Lotus Sutrain regions around today’s Zhejiang Province during the Southern Song Dynasty,reflecting the cross-cultural spread and the resulting media transformation of illustrated Buddhist scriptures during the Song and Yuan Dynasties in East Asia.

关 键 词：经卷佛画 卷首画 法华经 跨文化传播 媒介转化 

分 类 号：G894[文化科学—体育学] J219[艺术—美术] K245[历史地理—历史学]