论莫言小说叙述者的价值——以《十三步》《酒国》《生死疲劳》为例  

On the value of narrators in Mo Yan’s novels--Taking Thirteen Steps,The Country of Wine,Life and Death are Wearing me Out as examples

作　　者：万水[1] 徐大威[1] Wan Shui;Xu Dawei(College of Chinese Language and Literature,Liaoning Normal University,Dalian 116081,China)

机构地区：[1]辽宁师范大学文学院,辽宁大连116081

出　　处：《辽宁师范大学学报（社会科学版）》2023年第5期101-107,共7页Journal of Liaoning Normal University(Social Science Edition)

基　　金：辽宁省教育厅人文社会科学青年项目“20世纪80年代文学批评关键词研究”(WQ2020004);国家社会科学基金一般项目“近代以来中国社会形态的变化与崇高审美形态的嬗变研究”(21BZW188);辽宁师范大学校级本科教学改革研究与实践项目“疫情新常态下的高校美育线上教学实践研究——以《美学原理》课程为例”(LSJG202231)。

摘　　要：叙述者的功能在莫言的小说《十三步》《酒国》和《生死疲劳》中已经远远超出了故事。《十三步》通过多层级叙述的设置以及大量第二人称叙述产生了主客转换的叙述效果;《酒国》通过叙述者兼小说人物“莫言”的设置,实现了对批判主体的批判;《生死疲劳》通过动物叙述者的设置以及两种思想范式的矛盾冲突,探讨了叙述本身的可靠性与否的问题。The role of narrators in Mo Yan’s novels Thirteen Steps,The Country of Wine and Life and Death Are Wearing me Out has gone far beyond telling stories.Thirteen Steps,through the setting of multi-level narration and a large number of second-person narration,produces the narrative effect of subje-object conversion.The Country of Wine,through the setting of the narrator and the novel character Mo Yan,realizes the criticism of the critical subject.Life and Death Are Wearing me Out,through the setting of the animal narrator and the conflict between the two thought paradigms,discusses the reliability of the narrative itself.

关 键 词：莫言小说 叙述者 《十三步》 《酒国》 《生死疲劳》 

分 类 号：I206.7[文学—中国文学]