从纯粹美学看艺术跨媒介研究  

The Pure Aesthetics and the Trans-meida Studies of Art

作　　者：彭锋[1] PENG Feng(School of Art,Peking University,Beijing 100871)

机构地区：[1]北京大学艺术学院,北京100871

出　　处：《艺术百家》2023年第4期1-7,共7页Hundred Schools In Arts

摘　　要：美学的泛化带来了美学的繁荣,但也影响到美学的独立身份。杜夫海纳的纯粹美学构想可以避免这个矛盾。纯粹美学的先验研究旨在从逻辑上揭示人类情感类型的全部可能,纯粹美学的经验研究旨在用艺术作品来验证人类情感类型。纯粹美学研究不仅能够确保美学独立的学科身份,而且能够支持艺术跨媒介研究,从而适应艺术实践的跨媒介发展趋势,让美学既纯粹又繁荣。The generalization of Aesthetics leads to the prosperity of Aesthetics,yet puts am impact of the independency of the discipline.Mikel Dufrenne's pure aesthetics is able to avoid the contradiction.The transcendental studies of pure aesthetics aim to reveal all possibilities of human emotion types,while the experimental of pure aesthetics focuses on the testifying of those types.The study of Pure Aesthetics is not only capable to ensure the independency of Aesthetics,but also able to support the trans-media research of art,thus to adapt the trans-media development trend of art practice,enabling both the purity and prosperity of Aesthetics.

关 键 词：纯粹美学 审美范畴 情感范畴 杜夫海纳 中国美学 跨媒介研究 

分 类 号：J02[艺术—艺术理论]