寻求富有传统姻缘的美术史观  

Seeking a Historical View of Fine Arts with Traditional Relationship

作　　者：夏燕靖 XIA Yanjing

机构地区：[1]上海交通大学人文艺术研究院

出　　处：《中国文艺评论》2023年第9期26-36,I0001,I0002,共13页China Literature and Art Criticism

基　　金：2020年度国家社科基金艺术学重大项目“跨门类艺术史学理论与方法研究”(项目批准号:20ZD25)的阶段性成果。

摘　　要：以中国传统美术史学核心理论为建构主题,将“文化自觉”和“文化自信”融会贯通于整个美术史学的研究当中,对其内涵在学术上作出更加清晰的阐释,为新时代中国特色社会主义文化发展提供强劲的思想支持和精神动力,是当今美术史学研究中涌现出的富有现实价值的观点。其具体研究措施主张在深入挖掘传统文化价值的基础上,推进传统美学和古典文艺理论融通中西,向传统美术史学领域沟通,完成弘扬中华优秀传统文化根脉的现代性转换。本文从“诗言志”、“中和观”及“观物取象”与化境说的主题切入,进一步阐释中国传统美术史观的文化特性,推动中国美术史学研究以新的姿态走向世界。The viewpoint with practical value emerging in the current research of art history is based on the core theory of traditional Chinese art history as the construction theme,integrating“cultural consciousness”and“cultural confidence”into the entire research of art history,offering a clearer academic interpretation of its connotation,and providing strong ideological support and spiritual motivation for the development of socialist culture with Chinese characteristics in the new era.Its specific research measures mainly focus on deeply exploring the value of traditional culture,promoting the integration of traditional aesthetics and classical literary theory between China and the West,communicating with the field of traditional art history,and completing the modernity transformation of promoting the excellent traditional cultural roots of China.This article further elaborates on the cultural characteristics of traditional Chinese art history through the themes of“poetry expressing aspirations”,“neutralization view”,and“observing objects and taking images”,promoting the study of Chinese art history to move toward the world with a new posture.

关 键 词：中国传统美术史学 史观与核心理论 诗言志 中和观 意象与意境 

分 类 号：J120.9[艺术—艺术理论]