戏曲与动画的假定性美学比较  

Comparison of Hypothetical Aesthetics between Chinese Opera and Animation

作　　者：张冉 ZHANG Ran(School of Arts and Media,Hefei Normal University,Hefei 230001,China)

机构地区：[1]合肥师范学院艺术传媒学院,合肥230001

出　　处：《安徽理工大学学报（社会科学版）》2023年第4期78-81,共4页Journal of Anhui University of Science and Technology:Social Science

基　　金：安徽省高校人文社会科学重点项目:纪实摄影表现五大发展美好安徽(Sk2020A0134)。

摘　　要：戏曲与动画是重要的艺术表现形式,假定性是戏曲与动画艺术创作的本真属性。基于假定性美学,以“无中生有”艺术手法为切入点,比较和分析假定性美学在戏曲与动画的时空结构、表演风格、呈现载体、意境营造等方面的具体运用和表现,发现二者在假定性美学影响下既有相异之处,亦有共通之处。文章旨在为不同的艺术表现形式之间开展假定性美学比较研究提供借鉴与参考。Chinese opera and animation are crucial forms of artistic presentation,and the hypothesis is the fundamental attribute of artistic creation.Based on hypothetical aesthetics and its artistic method of creating “something out of nothing”,this paper attempts to compare and analyze the specific application and performance of hypothetical aesthetics in the spatial and temporal structure,performance style,presentation carriers and artistic conception creation between traditional Chinese opera and animation.It is found that the two have both similarities and differences under the influence of hypothetical aesthetics,which can provide the reference for the comparison of hypothetical aesthetics among various forms of artistic presentation.

关 键 词：戏曲 动画 假定性 无中生有 比较 

分 类 号：B835[哲学宗教—美学]