艺术创作与阐释中的现象学态度--围绕毕业创作《院》《野》《树》《泳》的一次对话  

Phenomenology Attitude in Art Creation and Interpretation:A Dialogue on Graduation Projects Yard,Field,Tree and Swimming

作　　者：燕隆艺 代福平[1] YAN Longyi;DAI Fuping(School of Design,Jiangnan University,Jiangsu Wuxi 214122,China)

机构地区：[1]江南大学设计学院,江苏无锡214122

出　　处：《工业工程设计》2023年第5期32-43,共12页INDUSTRIAL&ENGINEERING DESIGN

摘　　要：以燕隆艺的毕业创作《院》《野》《树》《泳》系列版画为主题展开对话,对话双方以现象学的态度,将作品和解释都还原到感觉本身。在对感觉的描述中,艺术创作的秘密就展示出来了,眼与心、词与物得到了真正的统一。创作者在这一组版画作品中,打破技法的界限,以诡异的视觉逻辑逼近准确的感觉。在作品的阐释中,则用语词追逐着同样的感觉,从而使视觉语言和文字语言彼此平行而又互相支持,感觉的造型得以诞生。这样的创作和写作实际上是在现象学层次上进行的,即悬置观念,为感觉留下地盘。由于信任和放任感觉,作者在创作和阐释过程中的每次挑战,都是感觉的发现和确认,苦恼同时就是喜悦。此次对话以笔谈形式完成,是一次思辨与感觉的较量,最后赢了的是感觉。当然思辨也没输,当它承认感觉赢了的同时,它也赢了。In this paper,Yan Longyi's graduation creation Yard,Field,Tree and Swimming series prints are taken as the theme of the dialogue.The two sides of the dialogue use a phenomenological attitude to restore the work and interpretation to the feeling itself.In the description of feeling,the secret of artistic creation is displayed,and eyes and hearts,words and things are truly unified.In this group of prints,the creators break the boundaries of techniques and approach the accurate feeling with strange visual logic.In the interpretation of the work,the same feeling is pursued with words,so that the visual language and the written language are parallel to and support each other,and the shape of feeling can be born.Such creation and writing are actually carried out at the phenomenological level,that is,suspending ideas and leaving a place for feelings.Due to the feeling of trust and indulgence,every challenge in creation and interpretation is the discovery and confirmation of feelings.The misery is joy at the same time.This dialogue is completed in the form of written conversation.It is a contest between speculation and feeling.What wins in the end is feeling.Of course,speculation does not lose.When it admits that the feeling wins,it also wins.

关 键 词：艺术创作 艺术评论 现象学 思辨 感觉 

分 类 号：J0[艺术—艺术理论]