历史记忆与改造语境中未竟的启蒙——刘澍德《归家》的“越轨”写作  

The Unfinished Enlightenment in Historical Memory and Reform Context——The“Transgression”Narrative in Liu Shude’s Guijia

作　　者：李玫琦 LI Meiqi(Center for Research of Chinese New Literature,Nanjing University,Nanjing,China 210023)

机构地区：[1]南京大学中国新文学研究中心,江苏南京210023

出　　处：《温州大学学报（社会科学版）》2023年第5期63-73,共11页Journal of Wenzhou University：Social Science Edition

基　　金：国家社会科学基金重点项目(20AZW015);教育部人文社会科学重点研究基地重大项目(22JJD750027)。

摘　　要：云南作家刘澍德创作于20世纪60年代初期的长篇小说《归家》,突破了同一时期农业合作化题材与知青下乡题材的创作模式,呈现出对“启蒙”与“改造”命题的“越轨”书写。刘澍德发掘了“男/农民―女/知识分子”两组对象间的“互看”关系与互相征服的隐秘心理,在占据全书大量篇幅的爱情书写中重新启用“五四”文学中的人情叙事,试图在改造话语环境中重提启蒙,但《归家》受到的自我规训与舆论净化反映了这一启蒙实践之艰。该作的创新之处在于作者通过书写混乱无序的乡土日常,对启蒙实践与改造政策遭遇乡村传统伦理秩序时的矛盾冲突作出了症候性的寓言。The writer Liu Shude from Yunnan Province published a novel titled Guijia in the early 1960s,which made a breakthrough in the creative pattern of the Agricultural Cooperative Movement Motif and the Educated Youth Working in the Countryside Motif in the same period,and showed the“transgression”narrative of“Enlightenment”and“Reform”.Liu discovered the relationship of observing each other and the hidden thought of conquering each other between“male/farmer-female/intellectual”.In the romance writing which makes up the main part of this book,Liu drew on the experience of humanity narrative resource from the“May Fourth”literature,and attempted to bring up enlightenment again under the reform discourse environment.The self-discipline and public opinion’s purification encountered by Guijia represented the difficulty of this enlightening practice.The creativity of this novel is that by manifesting the chaotic and disordered rural daily life,Liu made a symptomatic allegory of the conflict when enlightening practice and reform policy were faced with rural traditional ethical order.

关 键 词：《归家》 刘澍德 农业合作化 知青下乡 启蒙 

分 类 号：I247.5[文学—中国文学]