从《千里江山图》到《只此青绿》的审美转换  

Research on the Aesthetic Transformation from A Thousand Li of Rivers andMountains to Poetic Dance: The Journey of a Legendary Landscape Painting

作　　者：白仁腾 Bai Renteng(School of Humanities,Chang’an University,Xi’an 710064)

机构地区：[1]长安大学人文学院,西安710064

出　　处：《西部学刊》2023年第20期165-168,共4页Journal of Western

摘　　要：《只此青绿》是以北宋王希孟所绘制的青绿山水画《千里江山图》卷为基石创作的舞蹈诗剧。该剧通过故宫研究员“展卷人”的“穿越”之旅展现了王希孟创作《千里江山图》的过程,创作者打破“青绿”固有色彩符号印象,着重表现人文之美,以叙事和舞美营造“虚实相生”的意境,体现“丰亨豫大”的美学思想,用现代语言叙说画卷中蕴含的传统美学的魅力,实现了由“画”到“诗”的审美转换。Poetic Dance:The Journey of a Legendary Landscape Painting is a dance poetry drama based on A Thousand Li of Rivers and Mountains by Wang Ximeng in the Northern Song Dynasty.The drama tells a story about s researcher in the Palace Museum transports back in time and witnesses Wang Ximeng’s creation of the painting.The creators break the inherent impression of“green”,and focus on the beauty of humanity.They also create a void-solid combination artistic conception through narrative and choreography,reflecting the aesthetic ideas of peace and prosperity.The drama expresses the charm of traditional aesthetics contained in the scroll in modern language,and achieves aesthetic transformation from“painting”to“poetry”.

关 键 词：《千里江山图》 《只此青绿》 审美转换 再创作 

分 类 号：I01[文学—文学理论] J723.12[艺术—舞蹈]