历史终结于无维之境及其后——弗鲁塞尔的技术图像论与后历史哲学  

The End of History in the Non-dimensionality and Its Beyond:Vilem Flusser's Technical Image Theory and The Philosophy of Post-history

作　　者：李斯扬 LI Siyang(School of Arts,Peking University)

机构地区：[1]北京大学艺术学院

出　　处：《国际新闻界》2023年第6期144-166,共23页Chinese Journal of Journalism & Communication

基　　金：“国家留学基金”资助成果。

摘　　要：威廉·弗鲁塞尔的技术图像论位于其媒介哲学、传播哲学、翻译哲学、生存论哲学和后历史哲学的关键位置。从反思启蒙现代性、唯科学主义与超越二元价值论的立场出发,弗氏提出想象力与理性协调合作的批判思考方式,宣扬科学、艺术、哲学与创造一体的观念,主张通过技术图像及新的技术想象力重新整合现代性中真-善-美的价值观分裂、科学-技术-艺术的文化分裂和主客体的分裂,重构文明的“元标准”。从犹太-基督教伦理观、间性论与对话哲学出发,弗氏经由技术图像探讨自我与他者、自由与责任的关系,主张通过技术图像生成主体间关系空间、意义空间与真正的人道主义媒介。作为“后历史图像”的技术图像在文明的危机中诞生并成为其表征,又以自身的辩证能量而提供了弥合与救赎危机的可能。人类必须在对技术图像的批判中达成对自身的批判,在远程通信社会的革命中创造人道主义的后历史。在主体生成与在世存在的意义上,技术图像应被视为迈入后历史的人类重新定位自身、捍卫自由与创造新文明的“翻译”与“投射”实践。Vilem Flusser's theory of technical images is located in the key position in his philosophical constellation of media,communication,translation,existentialism and post-history.From the standpoint of reflecting on enlightenment modernity,scientism and transcending dualistic axiology,Flusser advocates a way of critical thinking that harmonizes imagination and rationality,and promotes the concept of integration of science,art,philosophy and creation.It proposes to reintegrate the value division of truth,goodness and beauty,the cultural split of science,technology and art and subject-object dichotomy in modernity through technical images and new technological imagination,and reconstruct the"metacriteria"'of civilization.From the perspectives of Jewish identity,Judeo-Christian ethics,interality,and dialogue philosophy,Flusser explores the relationship between self and others,freedom and responsibility through technical images,advocating for the creation of meaningful space of inter-subject and humanism media on the basis of technical images.As a"post-historical image",the technical image emerges in the crisis of human civilization and becomes its representation,but it also provides the possibility of redempting the crisis with its own dialectical energy.Human beings must realize a criticism of themselves in the criticism of technical images,and create a humanitarian post-history in the revolution of telematic society.In the sense of human subjective construction and being-in-theworld,technical images should be regarded as the practice of"translation"and"projection"of human beings who have entered the post-history to reorient themselves,defend freedom and create new civilizations.

关 键 词：弗鲁塞尔 技术图像 后历史 翻译 人道主义媒介 

分 类 号：J05[艺术—艺术理论] G206[文化科学—传播学]