北宋乐论中的雅俗之辨  

The Difference between Elegance(雅,ya)and Vulgarity(俗,su)in Northern Song Dynasty

作　　者：陈音璇 Chen Yinxuan

机构地区：[1]中央音乐学院音乐学系,北京100053

出　　处：《音乐文化研究》2023年第3期25-32,共8页Music Culture Studies

摘　　要：雅与俗是中国音乐美学史上的重要范畴之一,在历代乐论中表现为关于雅郑、古今、华夷的三种讨论。北宋时期,由于儒家思想的复兴与雅乐制度的改革,为后世留下了大量的乐论资料,其中最主要的内容之一就是雅俗之辨。为了修正雅乐、厘清雅俗,宋人分别从“崇雅斥郑”“是古非今”“尊华攘夷”三个方面进行了详细讨论,既是对先秦以来儒家传统思想的继承,也带有宋代儒学复兴的发展特点。“Ya Su”(elegance and vulgarity)is an important concept in Chinese music aesthetics*specifically exploring the notions of elegance and vulgarity,as well as the distinctions between ancient and modern,and Chinese and non-Chinese musical traditions in Chinese music history.During the Northern Song Dynasty,the revival of Confucianism and reforms in the court music system led to the preservation of a significant amount of music theory materials for future generations.A central theme of these discussions was the concept of Ya Su.To correct musical practices and clarify the meaning of Ya Su,scholars of the Song Dynasty extensively debated three aspects:“revering elegance and repudiating vulgarity,”“embracing the ancient and rejecting the modern,”and“respecting Chinese culture and resisting barbarian influences.”These discussions not only upheld the legacy of Confucianism since the pre-Qin period but also revitalized traditional ideologies during the Song Dynasty.

关 键 词：北宋 雅俗 雅郑 古今 华夷 

分 类 号：J609.2[艺术—音乐]