敦煌壁画与唐前期流行色  

Murals of Dunhuang and Popular Colors in the Early Period of the Tang Dynasty

作　　者：赵声良[1] Zhao Shengliang

机构地区：[1]敦煌研究院

出　　处：《艺术设计研究》2023年第5期22-28,共7页Art & Design Research

摘　　要：本文选取了唐前期敦煌石窟中几个有代表性的洞窟来分析壁画用色的风格特征,从流行色的角度总结出唐朝前期色彩审美的一个大致演变历程:一,以北朝到隋朝形成的色彩为基础,体现出相对单纯、以土红为基调的色彩构成;二,对明净的、以天空色(蓝色)为中心的表现;三,以绿色为主色调的特征;四,以绿、蓝、红三色形成强烈的对比,辉煌灿烂的色彩风格。这种流行色彩的演变,反映了唐朝前期随着经济文化的高度发达,长安文化强烈地影响到敦煌地区,使内地流行色得以迅速传播的艺术发展倾向,体现了唐人的色彩审美观。This paper chose several representative caves from the early period of Tang dynasty at Dunhuang to analyze styles and characteristics of mural colors.From the perspective of popular colors,this paper concludes a general evolution process of color aesthetics in the early period of Tang Dynasty:1.a relative simple color pattern which takes earth red as a basic tone,following a basis of colors formed from the Northern Dynasty to Sui Dynasty;2.a performance of azure color of the sky(blue)as a core;3.a characteristic that green is a major tone;4.a splendid and brilliant color style which formed by a strong contrast among three colors,i.e.,green,blue and red.The evolution of popular colors reflects that the culture of Chang’an had a great influence on Dunhuang region and there was a de-veloping trend of art that popular colors in the Central Plains were spread quickly,along with the highly developed economy and culture of Tang Dynasty in its early period,it also shows a spirit of the Tang people on color aesthetics.

关 键 词：敦煌 唐朝 壁画 流行色 审美 

分 类 号：J18[艺术—艺术理论]