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作 者:李霖 吴广平[2] Li Lin;Wu Guangping
机构地区:[1]中南民族大学文学与新闻传播学院 [2]湖南科技大学人文学院中文系
出 处:《中国美学》2023年第1期207-219,共13页Chinese Aesthetics
摘 要:屈原辞开创了香草美人意象,宋玉赋对其进行了继承与创新,并由此形成了两种不同的创作传统与审美风貌。屈原辞、宋玉赋都借香草意象象征美好事物,借美人意象譬喻君王或自喻,但在香草美人意象的审美表现上又有不同。宋玉赋对屈原辞香草美人意象的象征系统进行了分离,使其成为两个独立的审美对象。屈宋辞赋香草美人意象的异同,是地理环境、职官身份体验、当下言说身份等多方面因素共同作用的结果。屈原、宋玉都生活于楚地,都仕途不顺,故两人作品中的香草美人意象塑造受到楚地地理环境与相似仕途经历的影响。但由于当下言说身份的不同,相较于屈原辞香草美人意象的重抒情、重政治象征,宋玉赋香草美人意象则重写实、重铺陈,主观性因素减少。Qu Yuan’s Ci created the image of vanilla beauty,which was inherited and innovated by Song Yu’s Fu,thus forming two different creative traditions and aesthetic styles.Qu Yuan’s Ci and Song Yu’s Fu both used vanilla to symbolize beautiful things,and beauty to metaphorically refer to kings or self-metaphors,but there were differences in the aesthetic performance of vanilla beauty imagery.Song Yu’s Fu separated the symbolic system of Qu Yuan’s vanilla beauty imagery,making it two independent aesthetic objects.The similarities and differences in the image of vanilla beauty in Qu Yuan’s Ci and Song Yu’s Fu were the result of the combined effect of many factors such as geographical environment,official identity experience,and current speech identity.Qu Yuan and Song Yu both lived in Chu and had a difficult path,so the vanilla beauty imagery of their Cifu was influenced by the geographical environment of Chu and similar journeys.However,due to the different identities of the current speeches,compared with vanilla of Qu Yuan’s’s Ci beauty image,which emphasizes lyricism and political symbolism,Vanilla of Song Yu’s Fu beauty image was rewritten and restated,and the subjective factor was reduced.
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