流化与新证:中国美学语境中“自然美”话语嬗变历程  

Evolution and New Evidence:The Evolution of the Discourse of “Natural Beauty” in the Context of Chinese Aesthetics

作　　者：张光琳 徐向阳[1] ZHANG Guang-lin;XU Xiang-yang(School of Humanities,Shaanxi University of Technology,Hanzhong 723000,China)

机构地区：[1]陕西理工大学人文学院,陕西汉中723001

出　　处：《西安建筑科技大学学报（社会科学版）》2023年第5期87-93,共7页Journal of Xi'an University of Architecture & Technology(Social Science Edition)

基　　金：陕西省社科基金项目“生态美学视域下陕西文学批评研究”(2019J031);陕西理工大学人文学院研究生创新基金项目“生态文学批评的跨文化比较研究”(陕RWXYCX2203)。

摘　　要：自然美作为美学上的难题,一直在不断地被阐释与定义,将其放在中国美学语境中进行历时性的梳理,总结自然美的内涵义在不同时期的变化,在生态文明建设时代具有重要的现实意义。自然美作为中国古典美学的核心范畴,其显隐程度在各个时期存在着差异。中国现代美学将自然美限定在“美的本质”这一问题之下,从而自然美陷入“失语”的困境。以生态人文主义为指导思想的生态美学重视人与自然的审美关系,自然美走向自我涌现的“澄明”之路。从“自然人化”到“生态系统整体性”,自然美的含义在生态美学语境之中不断延伸。As one of the difficult issues in aesthetics,natural beauty has been constantly interpreted and defined.Therefore,it is of practical significance to carry out a diachronic sorting in the context of Chinese aesthetics in the era of ecological civilization construction,and discover the changes in the intristic meaning of natural beauty at different periods.Natural beauty,the core category of classical Chinese aesthetics,has often manifested itself differently in various periods.Defined as the issue of “the essence of beauty” by Chinese modern aesthetics,natural beauty used to be trapped in “aphasia”.Ecological aesthetics,guied by ecological humanism,re-eamines the aesthetic reationship between man and nature,and thus the natural beauty moves toward the “clarity” of self-emergence.From “humanization of nature” to “integrity of ecosystem”,the meaning of natural beauty is constantly extended in the context of ecological aesthetics.

关 键 词：自然美 自然人化 恰当自然审美 生态美学 

分 类 号：I01[文学—文学理论]