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作 者:胡成霞 HU Chengxia(Journal Edition Office of Sichuan University of Arts and Science,Dazhou Sichuan 635000,China)
机构地区:[1]四川文理学院学报编辑部,四川达州635000
出 处:《四川文理学院学报》2023年第6期56-62,共7页Sichuan University of Arts and Science Journal
基 金:四川省社会科学重点研究基地美学与美育研究中心2022年科研项目“当代审美语境下通识书法课美育价值研究”(22C013)。
摘 要:中国书法是以汉字运用为载体的艺术,汉字循“观象画物”创立之初,因象形性便自带天然造型之美和审美元素,审美属性是在记载传播日常实用本体功能之外的附加产物,时移势迁,汉字书写的工具性实用功能弱化,书法转而以艺术为追求主旨,并成为中国传统文化中最为经典的艺术形式,书法艺术具有文化天然优势,且具有极高的文化审美价值。探寻书法的文化源流与艺术化涅槃历程,分析书法艺术的文化审美特性,构建通识书法文化的审美价值,旨在发挥中华民族传统文化传承载体的担当,促进中国传统文化的复兴,加强文化的对外传播。Chinese calligraphy is an art based on the use of Chinese characters.At the beginning,the creation of Chi-nese characters follows the“painting after image”.Because of its pictographic nature,it has its own natural modeling beau-ty and aesthetic elements.Aesthetic attribute is an additional product in addition to the function of recording and dissemi-nating daily practical ontology.With the change of time and trend,the instrumental and practical function of Chinese char-acter writing weakened,and calligraphy turned to art as the pursuit theme,and became the most classic art form in Chinese traditional culture.Calligraphy art has a natural cultural advantage and has a high cultural aesthetic value.It helps to play the role of the carrier of traditional Chinese culture,promote the revival of traditional Chinese culture and strengthen the communication of culture to the outside world by exploring the cultural origin of calligraphy and the process of artistic nir-vana,analyzing the cultural aesthetic characteristics of calligraphy art,and constructing the aesthetic value of general callig-raphy culture.
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