流行音乐何处去——雅俗模糊之下音乐市场的扬与弃  

Where is pop music going?

作　　者：高凡婷 高彤 无 

机构地区：[1]不详 [2]中新社

出　　处：《创新世界周刊》2023年第10期20-33,共14页Innovation World Weekly

摘　　要：被译成多种语言、全球五大洲传唱、全网播放量如今已破200亿,哪怕用投下一枚震撼弹来形容刀郎和他的《罗刹海市》在今年流行音乐界掀起的风暴,也毫不为过。“世界神曲”“传播传统文化”“20年磨一剑”;“草根”“非主流”“农民听的歌”“不具有音乐性”……一时间,一场围绕雅与俗、好与坏,甚至是人性善恶的大讨论在全球范围内迅速展开,彻底超越了歌曲乃至音乐本身。What to spread orto discardforthemusic marketwheneleganceandvulgarityarenolongerwell-definedSome critics say that the "Daolang fever" best portraystoday's pop music industry. In the era of the Internetand big data, the right to interpret music has beeninfinitely delegated. The quality of a piece firstly dependson public acceptance, and then rests with whether itpromotessocialprogress.Mainstream and non-mainstream, professional andnon-professional - where will pop music go, particularlywhen the boundary between elegance and vulgarity getsincreasinglyblurred?

关 键 词：罗刹海市 雅与俗 人性善恶 非主流 流行音乐 雅俗 全球范围 音乐性 

分 类 号：I20[文学—中国文学]