李泽厚中国美学史研究模式的三大特征  

Three Characteristics of Li Zehou's Research Model of Chinese Aesthetic History

作　　者：韩清玉[1] Han Qingyu

机构地区：[1]山东大学文艺美学研究中心,山东济南250100

出　　处：《文史哲》2023年第6期64-73,163,共11页Literature,History,and Philosophy

基　　金：教育部人文社科重点研究基地重大项目“中西互鉴视阈中的中国现代美学建构路径与理论形态研究”(22JJD750028);山东省人文社会科学课题智库重点专项“中国式现代化视阈中文艺美学发展与话语建构研究”(2023-zkzd-003)的阶段性成果。

摘　　要：以《美的历程》《中国美学史》和《华夏美学》为范围考察李泽厚的中国美学史研究模式,可见其马克思主义指导下的实践论美学立场、审美意识史的研究视角、文化与思想相结合的书写方式等鲜明特征。这些特征既有美学观点上的独特性与创新性,又在方法论上具有典范意义。其中,实践论美学立场是李泽厚美学的基本特质,也是其中国美学史研究的第一特征。实践论美学立场的要义是“积淀说”,积淀又是通过自然的人化实现的。审美意识史的研究视角是基于中国美学的独特性而选择的最具涵盖性的观照方式,显示了李泽厚广阔的学术视野。文化与思想相结合的书写方式,彰显出李泽厚在中国美学研究中的理论原创色彩,于当下建构美学话语体系有重要启示意义。Taking The History of Beauty,History of Chinese Aesthetics and Chinese Aesthetics as the scope to understand Li Zehou's research model of Chinese aesthetics history,we can see three characteristics as the standpoint of practice under the guidance of Marxism,the perspective of the history of aesthetic consciousness,and the writing style combining culture and thought.These characteristics are not only unique and innovative in aesthetics,but also exemplary in methodology.Among them,the aesthetic standpoint of practice is the basic characteristic of Li Zehou's aesthetics and the first characteristic of his research on the history of Chinese aesthetics.The essence of the aesthetic standpoint of practice is sedimentation theory,which is realized through the humanization of nature.The research perspective of the history of aesthetic consciousness is the most comprehensive way of viewing based on the uniqueness of Chinese aesthetics,which shows Li Zehou's broad academic vision.The writing style combining culture and thought shows Li Zehou's theoretical originality in the studies of Chinese aesthetics,and has important implications for the construction of the current aesthetic discourse system.

关 键 词：李泽厚 中国美学史 实践论美学 审美意识 文化 

分 类 号：B83-092[哲学宗教—美学]