戏曲元素钢琴作品创作特色及审美流变  

Composition Characteristics and Aesthetic Evolution of Piano Pieces with Elements of Traditional Chinese Operas

作　　者：吴梓汇 杨博华 WU Zihui;YANG Bohua(Arts Faculty,North University of China,Taiyuan 030051,China)

机构地区：[1]中北大学艺术学院,山西太原030051

出　　处：《中北大学学报（社会科学版）》2023年第6期63-70,共8页Journal of North University of China：Social Science Edition

摘　　要：现代钢琴传入中国已有100余年的历史,我国作曲家在吸收融合、持续创新的过程中,将中华优秀传统文化和西方钢琴技艺相结合,创作了许多经典的中国钢琴作品。戏曲作为中华民族的传统艺术之一,其独特的唱腔、曲体结构、板式节奏等艺术元素,对于中国钢琴曲的创作具有一定的启发作用。在审美流变过程中,戏曲元素钢琴作品呈现出以戏“声”为美、以戏“腔”为美、以戏“趣”为美、以戏“境”为美等美学特征。Modern piano has been introduced into China for more than 100 years.Chinese composers have used both Chinese traditional cultures and Western piano skills to create a large number of classic Chinese piano pieces.As one of the traditional arts of China,opera has its unique vocal style,musical structure,and rhythmic patterns,among other artistic elements,inspiring the creation of Chinese piano pieces.During the process of aesthetic evolution,the piano pieces with elements of traditional Chinese opera consider the sound,intonation,charm and environment of opera as their aesthetic characteristics.

关 键 词：戏曲元素钢琴作品 戏曲唱腔 曲体结构 板式节奏 美学特征 

分 类 号：J624[艺术—音乐]