亨利·米修诗歌“沉默”主题的中国因素  

The Theme of Silence in Henri Michaux’s Poetry and Chinese Source

作　　者：王雨默 李建英 WANG Yu-mo;LI Jian-ying(School of Humanities,Shanghai Normal University,Shanghai 200234,China;Institute of Foreign Language and Culture,Zhejiang Yuexiu University,Shaoxing,Zhejiang 312000,China)

机构地区：[1]上海师范大学人文学院,上海200234 [2]浙江越秀外国语学院外国语言文化研究院,浙江绍兴312000

出　　处：《湘潭大学学报（哲学社会科学版）》2023年第6期145-150,共6页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：国家社会科学基金一般项目“18世纪英国小说异域书写中的世界意识研究”(20BWW065)。

摘　　要：法国当代先锋派诗人、画家米修认为语言在“命名”世界的同时遮蔽了存在,背离了追寻世界本真的初衷。他试图在诗歌中拒绝声音,触达沉默,直接召唤存在本体。米修诗歌中的“沉默”主题借鉴了许多中国因素,他在“道”中感受存在的真相,由“虚静”观照自我精神,借助“留白”既表现沉默,又让沉默言说。他让中国文化因素深刻地融汇于其诗艺之中,既助力他实现艺术理想,又将中国文化带入世界深处。The French contemporary avant-garde poet and painter Henri Michaux believed that language,while“naming”the world,obscures being and deviates from the original intent of seeking for the true nature of the world.He attempted to reject sound in his poetry,until he could reach silence and directly summon the essence of being.The theme of“silence”in Michaux’s poetry drew rich inspiration from many Chinese elements.He perceived the truth of being through the concept of“Tao”,contemplated his own spirit through“void-quietness”,and used the way of“blank-leaving”to embody silence but at the same time gave voice to silence.Michaux deeply integrated Chinese cultural elements into his poetic art,which not only helped him achieve his artistic ideals but also brought Chinese culture to the world.

关 键 词：亨利·米修 沉默 道 存在 留白 

分 类 号：I0-03[文学—文学理论]