从观物、感物到具身物——媒介革命视域下中西文艺美学的互鉴与前瞻  

From Observing and Sensing Objects to Embodied Objects——The Mutual Learning and Prospect of Chinese and Western Literary Aesthetics from the Perspective of Media Revolution

作　　者：朱晓军[1] Zhu Xiaojun

机构地区：[1]浙江传媒学院文学院、美学研究所

出　　处：《艺术传播研究》2023年第5期15-27,共13页Journal of Art Communication

摘　　要：以“物”为核心,可考察中西美学(艺术)理论在根基上的观物与感物之不同取径及其话语范式。由此,可分析西方“视觉中心主义”所导致的艺术定义危机与重构美学难题;同时可参照现象学的视角,探讨在艺术“物转向”与哲学“身体转向”的趋势中,重新激活“身心不二、物我合一”的中国古典文论“物感”范式的可能性。而当下方兴未艾的“元宇宙”等媒介技术革命,则为中国古典文论在重构美学话语体系的过程中重新出场创造了前所未有的契机。Taking “things” as the core, this article examines the different approaches and discourse paradigms of Chinese and Western aesthetic(art) theories in terms of observing and perceiving things based on their foundations.From this, we can analyze the crisis in artistic definition and the difficulty in reconstructing aesthetics caused by Western“ocular-centrism”;At the same time, referring to the perspective of phenomenology, this article explores the possibility of reactivating the paradigm of “material sense” in Chinese classical literary theory, which is characterized by the unity of body and mind, and the unity of things and oneself, in the trend of artistic “material turn” and philosophical “body turn”.The current flourishing media technology revolution such as the “metaverse” has created unprecedented opportunities for Chinese classical literary theory to reappear in the discourse system of reconstructing aesthetics.

关 键 词：美学 艺术 观物 感物 具身性 

分 类 号：I01[文学—文学理论]