“生产”与“接受”的博弈:对AI文学文本的审美解读  

The Game Between“Production”and“Reception”:An Aesthetic Interpretation of AI Literary Texts

作　　者：付青蔓 孔令辉 FU Qingman;KONG Linghui(School of Literature,Liaocheng University,Liaocheng 252059,China)

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《三明学院学报》2023年第5期81-85,共5页Journal of Sanming University

基　　金：山东省本科高校教学改革研究重点项目(Z2021308)。

摘　　要：随着科技迅猛发展,人工智能与语言学、文学、文艺美学等学科相互交织,生产出了一系列的AI文学文本。其中部分文本在一定程度上符合大众审美,因而具有进行审美解读的价值。从文本生产的角度看,人由事即理、由感即情的“诗性智慧”被机器大量识得,文本生产发生了由“人的诗性”到“机器模识”的变迁。从文本接受的角度看,接受主体兼具读者、文本阐释者和拟设作者三重身份,其审美体验也主要来源于自身的“主体幻想”。文本生产与文本接受的争论焦点主要在于人类文学的独创性,即作者存在之必要性,但二者之间的矛盾并非不可调和,只有“生产者”与“接受者”互相弥合,才可以实现人类与人工的正和博弈,共同促进未来文学的蓬勃发展。With the rapid development of science and technology,artificial intelligence has intertwined with linguistics,literature,literary aesthetics and other disciplines to produce a series of AI literary texts.Some of these texts conform to popular aesthetics to a certain extent,and thus have the value of conducting aesthetic interpretation.From the perspective of text production,the“poetic wisdom”of human beings from matter to reason and from feeling to emotion has been recognized by a large number of machines,and the text production has undergone a change from“human poetry”to“machine modelling”;from the perspective of text acceptance,the AI literary texts have been produced in a series of AI literary texts.From the perspective of text acceptance,the accepting subject has the triple identities of reader,text interpreter and proposed author,and his aesthetic experience mainly comes from his own“subjective fantasy”.The focus of the debate between text production and text reception is mainly on the originality of human literature,namely the necessity of the author's existence.However,the contradiction between them is not irreconcilable,only when the“producer”and the“receiver”bridge each other,can the positive-sum game between human beings and artifacts be realized,and jointly promote the prosperous development of literature in the future.

关 键 词：AI文学文本 文本生产 文本接受 作者身份 正和博弈 

分 类 号：I04[文学—文学理论]