论王夫之诗无达志说中的自由阐释思想——兼谈“诗无达志”较“《诗》无达诂”的变异  

On thought of Free Interpretation in Wang Fuzhi’s Theory“Poetry No Definite Explanation”—Variation of“Poetry No Definite Explanation”compared with“the Book of Songs No Definite Explanation”

作　　者：金书豪 JIN Shu-hao(School of Chinese Language and Literature,Hebei University,Baoding 442000,China)

机构地区：[1]河北大学文学院,河北442000

出　　处：《湖北工业职业技术学院学报》2023年第6期62-65,72,共5页Journal of Hubei Industrial Polytechnic

摘　　要：“《诗》无达诂”是中国古代文论史上的一个著名命题,而王夫之的“诗无达志”说相比于“《诗》无达诂”说则不受学界重视。它们往往也被视为相似的命题,但实质上它们的不同是十分明显的。“诗无达志”说扩大了自由阐释的对象,将经典文本与诗歌文本都纳入了自由阐释的范围;强调了自由阐释的结果,将读者能够获得审美体验视为阐释的结果;讨论了自由阐释的方法,指出读者拥有直接表达所体验之情的自由。总体而言,诗无达志说在多个维度上较《诗》无达诂说发生了变异。“The Book of Songs no Definite Explanation”is a famous proposition in the history of ancient Chinese literary theory,while Wang Fuzhi's theory of“Poetry no Definite Explanation”is not valued by the academic circle.They are often thought of as similar propositions,but in essence their differences are quite obvious.The theory of“Poetry no Definite Explanation”expands the object of free interpretation and brings both classical text and poetic text into the scope of free interpretation.It emphasizes the result of free interpretation and regards the reader's ability to obtain aesthetic experience as the result of interpretation.This paper discusses the methods of free interpretation and points out that readers have the freedom to express the feelings they experience directly.In general,the theory of“Poetry no Definite Explanation”has changed from“the Book of Songs no Definite Explanation”in many aspects.

关 键 词：诗无达志 王夫之 《诗》无达诂 阐释学 

分 类 号：I206.09[文学—中国文学]