缺失的“中庸”美学智慧——对真人版动画电影《阿拉丁》的创作批评  

The Missing Aesthetic Wisdom of the"Mean"——A Critical Study on the Creation of the Live Animation Film"Aladdin"

作　　者：努尔曼古丽·艾合买提 Nuermanguli Aihemaiti(Xinjiang Arts University,Urumqi 830049)

机构地区：[1]新疆艺术学院,乌鲁木齐830049

出　　处：《新疆艺术学院学报》2023年第4期105-109,共5页Journal of Xinjiang Arts University

摘　　要：2019年上映的迪士尼真人动画电影《阿拉丁》并未获得想象中的赞誉,反而在价值观和叙事形式上受到了诸多的批评。在世界文化发展融合的大背景下,真人版动画电影《阿拉丁》采取了一种模糊的、折中的态度,试图达到跨文化传播在价值观和叙事形式上的某种平衡,但实际上却并未很好地达成文化交融中和而不同的中庸之美。本文通过对“中庸”之美的辨析,从价值观和叙事形式两个方面对真人版电影《阿拉丁》进行分析,强调“中庸”之美的分寸感和规则刚性在艺术创作中的重要作用。The Disney animation film“Aladdin”released in 2019 did not receive the expected praise,but instead received many criticisms in terms of values and narrative form.In the context of the development and integration of world culture,the film adopts a vague and compromising attitude in attempt to achieve a certain balance between value and narrative in terms of cross-cultural communication.However,in reality,it does not achieve the beauty of the“mean”brought about by the harmony in diversity in cultural integration.Through an analysis of the beauty of the"mean",the paper studies the film“Aladdin”from the perspective of values and narrative form,emphasizing that the measure of the"mean"and the rule of the"mean"play very important role in artistic creation.

关 键 词：《阿拉丁》 跨文化传播 中庸 

分 类 号：J954[艺术—电影电视艺术]