愉悦与共识:新疆麦西来甫广场舞的跨文化交流与互动  

Pleasure and Consensus:Research on Cross-Cultural Exchange and Interaction in Maxrap Square Dancing in Xinjiang Kashgar City

作　　者：胡雪 Hu Xue(Minzu University of China,Xinjiang Normal University)

机构地区：[1]中央民族大学民族学与社会学学院 [2]新疆师范大学音乐学院舞蹈系

出　　处：《中国舞蹈学》2023年第2期144-159,346,347,共18页CHOREOLOGY IN CHINA

基　　金：新疆维吾尔自治区社会科学基金一般项目“文化振兴背景下南疆群众舞蹈的多元融合与构建研究”(项目编号:19BYS120)阶段性成果;自治区高校科研计划人文社科青年项目“新疆群众舞蹈在文化润疆中的传播策略研究”(项目编号:XJEDU2021SY028)阶段性成果。

摘　　要：广场舞业已成为管窥和解读社会文化结构的重要视角。麦西来甫作为新疆维吾尔族的传统民俗娱乐活动,近年来迅速从乡村聚落迈向城市公共空间,成为各民族文化共享的媒介与平台。文章通过对新疆喀什市人民公园Z舞队的微观考察,基于互动仪式链的分析框架,以参与者的身体实践为切入点,分析了麦西来甫“身体共在”的互动情境与群体认同的过程机制。研究认为,麦西来甫广场舞的文化情境呈现出不同民族文化交相生辉的多元局面,且形成强有力的情感联结与文化共鸣,可为理解多民族地区人际互动与跨文化交流的具体途径提供有益视角。Square dancing has become an important perspective to examine and interpret the social and cultural structure.Maxrap,a traditional folk entertainment activity of the Uyghur ethnic group in Xinjiang,has rapidly moved from rural settlements to urban public spaces in recent years,becoming a medium and platform for cultural sharing among various ethnic groups.The article conducts a microscopic examination of the Z dance team in the Peopl’s Park of Kashgar City,Xinjiang.Based on the analysis framework of interactive ritual chains,and starting from the participants’physical practices,it analyzes the interactive context and group identification process mechanism of Maxrap’s“physical co-presence”.Research suggests that the cultural context of Maxrap Square Dancing presents a diverse situation where different ethnic cultures intersect and form strong emotional connections and cultural resonance,providing a beneficial perspective for understanding specific ways of interpersonal interaction and cross-cultural communication.

关 键 词：麦西来甫广场舞 互动仪式链 跨文化交流 情感共鸣 

分 类 号：G63[文化科学—教育学]