比丘法海法亮造像研究  

A Study on the statue of Buddhist monks Fahai and Faliang

作　　者：李玉 魏文斌[1,2] Li Yu;Wei Wenbin

机构地区：[1]兰州大学敦煌学研究所 [2]兰州大学考古与博物馆学研究所

出　　处：《艺术设计研究》2023年第6期23-27,共5页Art & Design Research

摘　　要：本文以比丘法海法亮造像上图像的位序为研究核心,探讨造像的功能和仪式。造像内容塑绘结合,从前至后,自上而下线性位序,宣扬奉持《法华经》者最终能往生兜率净土。造像上供养人图像的位序设定,是实现图像功能性的重要途径。通过对造像细节的梳理和铭文信息考订,认为该造像完成于北魏孝昌至永熙年间,造像落成后在僧人主持下进行了相应的仪式,供养人图像因此实现了转化,具有礼仪功能。This article focuses on the sequence of images of the Bhikkhu Fahai,Faliang statue,exploring the functions and rituals of the statue.The content of the statue is a combination of sculpture and painting,with a linear sequence from front to back,from top to bottom,preaches that those who hold the Lotus Sutra can eventually be reborn in the pure land.The setting of the image sequence of the Patronage on the statue is an important way to realize the image functionality.Through sorting out the details of the statue and verifying the inscription information,it is believed that the statue was completed during the period from Northern Wei Dynasty(Xiachang to Yongxi).After the statue was completed,the corresponding ceremony was carried out under the auspices of the monk,so the image of the Patronage was transformed and had the ritual function.

关 键 词：法华图像组合 位序排列 宗教仪式 三世佛 礼佛 

分 类 号：J18[艺术—艺术理论]