曾国藩《经史百家杂钞》的文体分类与学术观  

The Stylistic Classification and Academic Ideas in Zeng Guofan’s Collected Works of Ancient Chinese Classics

作　　者：喻智琦 任竞泽[1] YU Zhiqi;REN Jingze(School of Chinese Language and Literature,Shaanxi Normal University,Xi'an Shaanxi,710119,China)

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《安庆师范大学学报（社会科学版）》2023年第6期15-20,共6页Journal of Anqing Normal University：Social Science Edition

基　　金：国家社会科学基金后期资助项目“中日韩诗话的文体史料与文体观念”(19FZWB042)。

摘　　要：曾国藩编选的《经史百家杂钞》不仅以门系类,缔造了三级文体分类纲目,而且在姚鼐《古文辞类纂》基础上对二级文类进行了删减与分合:一方面,广选经史篇目,增设叙记、典志类文体;另一方面,着眼文体形态,散碑志之文入记载门各类,并颂赞、箴铭于词赋类文体。这一相异姚选的文体分类,统一于曾国藩“义理、辞章、经济、考据”的体系中,体现了他切于世用、包纳百川的学术观念。Zeng Guofan’s Collected Works of Ancient Chinese Classics not only created three levels of style by grouping categories under types,but added,subtracted,split and merged categories on the basis of the two levels of style in Yao Nai’s The Anthology of Ancient Prose.On the one hand,it contained extensive classical works and historical works,with the establishment of Narration and Records.On the other hand,based on the consideration of stylistic form,it split Epitaphs into different narratives.Zeng Guofan’s stylistic classification,different from Yao Nai’s modus,was unified in the"righteousness,economy,evidence,and resignation"system,showing his pragmatic and inclusive academic ideas.

关 键 词：曾国藩 《经史百家杂钞》 文体分类 桐城派 

分 类 号：I206.2[文学—中国文学]