图像时空何以可能:基于大卫·霍克尼的“图画史”重思视觉艺术  

How Are Pictures Possible in Time and Space:Rethinking Visual Art Based on David Hockney’s“History of Pictures”

作　　者：牛艺璇 敖日力格[1] Niu Yixuan;Aori Lige

机构地区：[1]北京电影学院美术学院

出　　处：《当代美术家》2023年第6期68-74,共7页Contemporary Artists

基　　金：2021年北京市教育委员会“科技创新服务能力建设-高精尖学科建设-美术学(分类发展)”项目(项目编码:PXM2021_014220_000061)阶段性成果。

摘　　要：大卫·霍克尼曾在《图画史——从洞穴石壁到电脑屏幕》中提出“图画史”的概念,打破了原有的艺术门类和媒介的限制,对图像予以一种新的审视角度。文章将沿袭霍克尼的“图画史”发展脉络,讨论“图像时空何以可能”。根据不同图像特性,本文从静态图像、动态影像、虚拟现实图像这三种图像类型对图像时空的可能性进行回应,旨在重新理解、思考当下视觉艺术的时空表现可能性。David Hockney proposes the concept of the“history of pictures”in his book“A History of Pictures—From the Cave to the Computer Screen”,which breaks the limitations of the conventional definition of art disciplines and media and views pictures from a new perspective.This article follows the evolution of Hockney’s“history of pictures”and addresses the question:“How are pictures spatial and temporal possible?”Pictures are categorized into three types based on their spatial and temporal characteristics:pictures,moving pictures,and virtual reality pictures,aiming to rethink and understand the possibility of spatial-temporal expression in modern visual art.

关 键 词：图画史 图像 时空 视觉艺术 

分 类 号：J205[艺术—美术]